Huejotzingo
Huejotzingo ( is a small city and municipality located just northwest of the city of Puebla, in central Mexico. The settlement's history dates back to the pre-Hispanic period, when it was a dominion, with its capital a short distance from where the modern settlement is today. Modern Huejotzingo is located where a Franciscan monastery was founded in 1525, and in 1529, the monks moved the indigenous population of Huejotzingo to live around the monastery. Today, Huejotzingo is known for the production of alcoholic apple cider and fruit preserves, as well as its annual carnival. This carnival is distinct as it centers on the re-enactment of several historical and legendary events related to the area. The largest of these is related to the Battle of Puebla, with about 2, 000 residents representing French and Mexican forces that engage in mock battles over four days.
The Franciscans founded the monastery of San Miguel Arcángel in 1525, in an area outside of the pre-Hispanic settlement of Huejotzingo. That settlement was located on higher ground, closer to the slopes of Iztaccíhuatl, in what is now known as San Juan Loma. Its early founding makes it one of the oldest monasteries in the Americas, and one of the first four Franciscan monasteries established in New Spain. It was dedicated to the Archangel Michael, who would eventually become the patron of the Spanish settlement of Huejotzingo and is the current patron of the modern municipality.
The current building is the third to have been built on the site. The first was a very modest construction that lasted from 1524 to 1529. In 1529, the Franciscans under Juan de Alameda moved the indigenous settlement to an area next to the monastery. Legend states that it was because the friars were tired of making the climb to the indigenous village for evangelization purposes. It was likely, however, to take advantage of indigenous labor to construct a larger monastery. The first monastery was demolished and a second complex was built in its place between 1529 and 1539. However, this building would not survive either, except for old plans and part of a foundation and walls, which were found during renovation work in 1980. The third and current complex was begun in 1544 and completed in 1570, and built under the direction of Juan de Alameda. Construction ended when Alameda died, and he was buried in the monastery. In the colonial era, it was described as being as luxurious as the church of San Juan de los Reyes in Toledo and one of the most beautiful in Mexico. Since then, the complex has survived a number of earthquakes with little damage. In the 1990s, it became one of fourteen monasteries around the Popocatepetl volcano declared a World Heritage Site. The state of Puebla promotes tourism of the monastery through its "Franciscan Route," which connects it with other 16th-century Franciscan monasteries in Calpan and Cholula.
The basic elements of the complex are the atrium with its corner chapels called "capillas posas," cloister, and main church. It is all constructed on a rectangular platform that measures 14,400m2 and rises six meters above the adjacent land. The complex is isolated from the outside by a thick stone atrium wall topped by merlons. These merlons are repeated on the walls of the church and cloister. These merlons are not the typical European style. Their form is similar to elements found in various pre-Hispanic constructions. The thick walls, merlons and narrow windows made the complex a fortress, not only to protect the monks from hostile native populations initially, but also to provide the local community later with a shelter in case of attack.
The atrium of the monastery faces west, towards the main plaza of the modern city. Between this plaza and the main access there is a small plaza. From this small plaza, one climbs a series of stairs to the atrium gate, which is an arcade of three arches with decorations in relief. The atrium takes up most of the monastery grounds and is rectangular, measuring sixty meters long. The most elaborate feature of the atrium is the four chapels embedded in each of the area's four corners, constructed around 1550. They were used for processions, especially for the storage of the Host for processions, but they were also used as chapels to serve the many indigenous of the area in the 16th century. They are elaborately decorated with the Franciscan coat of arms, cords like those worn by Franciscan monks with tassels and other symbols. This decorative feature can be seen in other parts of the complex as well. In the center of the atrium, on the pathway between the main atrium entrance and the entrance to the church, there is an atrium cross. Most histories of the monastery, but not all, state that this atrium cross is not the original, but rather used to belong to one of the corner chapels. The cross is done in sandstone and imitates two knotty tree trunks, with a crown of thorns at the foot.
The monastery also has associated with it a system of aqueducts to bring water here from the Xopanac River. Remnants of it can be seen today.
The architecture of the large church and monastery area is a mix of medieval and Renaissance styles, with Plateresque and Moorish elements standing out. The Plateresque is evident in the large smooth areas with little ornamental work on the facade and north side of the church. This side has a portal decorated with leaves and thistles. The entrance to the church is flanked by tall classical columns, whose capitals support a narrow cornice to form an alfiz. This is decorated with a Franciscan-style cord and seven anagrams in Greek and Latin. Moorish influence is seen in the door arch of the main portal.
The interior has only one nave. There are remnants of frescos on the walls, the best preserved of which show a precession of men in hoods, called "Los encapuchados" (The hooded ones). The main altar is one of the few from the 16th century that remain in Mexico, made by Simon Pereyns. Another unusual feature is the stonework around the door to the sacristy, which forms a crisscross pattern of flowers.
The entrance to the monastery area is on the south side of the complex's facade. It consists of two wide arches supported in the center by a large column. The interior of the cloister retains all of its original architectural elements, and includes the courtyard, fountain, monks’ cells, refectory, kitchen, gardens, and a meditation/prayer room called the sala de profundis. This room contains the best preserved mural work in the complex, including a depiction of the first twelve Franciscans to arrive in Mexico, headed by Martin de Valencia. This cloister today houses the Museo de Evangelización del ex convento de San Miguel (Evangelization Museum of the former monastery of San Miguel), under the administration of the INAH with Gabiel Maritano Garci as director. It contains a modest collection of artworks and other artifacts from the colonial period such as baptismal fonts and religious paraphernalia as well as displays explaining the evangelization work done by the Franciscans after the Conquest.
The Franciscans founded the monastery of San Miguel Arcángel in 1525, in an area outside of the pre-Hispanic settlement of Huejotzingo. That settlement was located on higher ground, closer to the slopes of Iztaccíhuatl, in what is now known as San Juan Loma. Its early founding makes it one of the oldest monasteries in the Americas, and one of the first four Franciscan monasteries established in New Spain. It was dedicated to the Archangel Michael, who would eventually become the patron of the Spanish settlement of Huejotzingo and is the current patron of the modern municipality.
The current building is the third to have been built on the site. The first was a very modest construction that lasted from 1524 to 1529. In 1529, the Franciscans under Juan de Alameda moved the indigenous settlement to an area next to the monastery. Legend states that it was because the friars were tired of making the climb to the indigenous village for evangelization purposes. It was likely, however, to take advantage of indigenous labor to construct a larger monastery. The first monastery was demolished and a second complex was built in its place between 1529 and 1539. However, this building would not survive either, except for old plans and part of a foundation and walls, which were found during renovation work in 1980. The third and current complex was begun in 1544 and completed in 1570, and built under the direction of Juan de Alameda. Construction ended when Alameda died, and he was buried in the monastery. In the colonial era, it was described as being as luxurious as the church of San Juan de los Reyes in Toledo and one of the most beautiful in Mexico. Since then, the complex has survived a number of earthquakes with little damage. In the 1990s, it became one of fourteen monasteries around the Popocatepetl volcano declared a World Heritage Site. The state of Puebla promotes tourism of the monastery through its "Franciscan Route," which connects it with other 16th-century Franciscan monasteries in Calpan and Cholula.
The basic elements of the complex are the atrium with its corner chapels called "capillas posas," cloister, and main church. It is all constructed on a rectangular platform that measures 14,400m2 and rises six meters above the adjacent land. The complex is isolated from the outside by a thick stone atrium wall topped by merlons. These merlons are repeated on the walls of the church and cloister. These merlons are not the typical European style. Their form is similar to elements found in various pre-Hispanic constructions. The thick walls, merlons and narrow windows made the complex a fortress, not only to protect the monks from hostile native populations initially, but also to provide the local community later with a shelter in case of attack.
The atrium of the monastery faces west, towards the main plaza of the modern city. Between this plaza and the main access there is a small plaza. From this small plaza, one climbs a series of stairs to the atrium gate, which is an arcade of three arches with decorations in relief. The atrium takes up most of the monastery grounds and is rectangular, measuring sixty meters long. The most elaborate feature of the atrium is the four chapels embedded in each of the area's four corners, constructed around 1550. They were used for processions, especially for the storage of the Host for processions, but they were also used as chapels to serve the many indigenous of the area in the 16th century. They are elaborately decorated with the Franciscan coat of arms, cords like those worn by Franciscan monks with tassels and other symbols. This decorative feature can be seen in other parts of the complex as well. In the center of the atrium, on the pathway between the main atrium entrance and the entrance to the church, there is an atrium cross. Most histories of the monastery, but not all, state that this atrium cross is not the original, but rather used to belong to one of the corner chapels. The cross is done in sandstone and imitates two knotty tree trunks, with a crown of thorns at the foot.
The monastery also has associated with it a system of aqueducts to bring water here from the Xopanac River. Remnants of it can be seen today.
The architecture of the large church and monastery area is a mix of medieval and Renaissance styles, with Plateresque and Moorish elements standing out. The Plateresque is evident in the large smooth areas with little ornamental work on the facade and north side of the church. This side has a portal decorated with leaves and thistles. The entrance to the church is flanked by tall classical columns, whose capitals support a narrow cornice to form an alfiz. This is decorated with a Franciscan-style cord and seven anagrams in Greek and Latin. Moorish influence is seen in the door arch of the main portal.
The interior has only one nave. There are remnants of frescos on the walls, the best preserved of which show a precession of men in hoods, called "Los encapuchados" (The hooded ones). The main altar is one of the few from the 16th century that remain in Mexico, made by Simon Pereyns. Another unusual feature is the stonework around the door to the sacristy, which forms a crisscross pattern of flowers.
The entrance to the monastery area is on the south side of the complex's facade. It consists of two wide arches supported in the center by a large column. The interior of the cloister retains all of its original architectural elements, and includes the courtyard, fountain, monks’ cells, refectory, kitchen, gardens, and a meditation/prayer room called the sala de profundis. This room contains the best preserved mural work in the complex, including a depiction of the first twelve Franciscans to arrive in Mexico, headed by Martin de Valencia. This cloister today houses the Museo de Evangelización del ex convento de San Miguel (Evangelization Museum of the former monastery of San Miguel), under the administration of the INAH with Gabiel Maritano Garci as director. It contains a modest collection of artworks and other artifacts from the colonial period such as baptismal fonts and religious paraphernalia as well as displays explaining the evangelization work done by the Franciscans after the Conquest.
Map - Huejotzingo
Map
Country - Mexico
Currency / Language
| ISO | Currency | Symbol | Significant figures |
|---|---|---|---|
| MXV | Mexican Unidad de Inversion | 2 | |
| MXN | Mexican peso | $ | 2 |
| ISO | Language |
|---|---|
| ES | Spanish language |
